Skip to content

Turkish Palette

Neon. Highlighter yellows, electric cyans and two near-blacks holding the whole thing down — brilliant on a dark surface, unusable on a white one.

Live preview

Everything below is the real component. Change the controls, tab through it, and turn on Inspector Mode to read any value off the screen.

20 colours
Drawn by Tamer Köseli for Flat UI Colors 2.Original
Click any swatch to copy its value.

01 · Text colours

A palette ships hues, not a text ramp. These five are solved against the page background rather than mixed by percentage — "secondary" means 8:1 on every one of the fourteen palettes, so the pages stay comparable and none of them ships a ramp that fails. Disabled sits below the floor deliberately; it is the one role WCAG exempts.

PrimaryHeadings and high emphasis#f5f5f5Derived · near-white holding 8% of Shadowed Steel's hue — this palette ships no neutral pale enough for body copy13.34:1
SecondaryBody copy#c1c1c1Derived · solved to 8:1 on the page8.08:1
TertiarySupporting detail#a0a0a0Derived · solved to 5.5:15.56:1
MutedCaptions, metadata, placeholders#909090Derived · solved to 4.5:1 — the floor for body text4.56:1
DisabledInactive — formally exempt from contrast#686868Derived · solved to 2.6:1, deliberately below the floor2.61:1

02 · Surfaces and backgrounds

Anchored on Baltic Sea, the darkest colour in the set. The rest of the ladder is computed, because no palette ships two darks that happen to sit 16% apart — and depth read from surface lightness is the only kind that survives greyscale, high-contrast mode and a phone in sunlight.

Page backgroundThe furthest-back plane#292929Derived · 32% toward black from Baltic Sea
SurfaceCards, panels, the default plane#333333Derived · 16% toward black from Baltic Sea
Surface elevatedMenus, dialogs, anything raised#3d3d3dRow 4, Col 5 · Baltic Sea
Surface hoverPointer over a row or a card#4b4b4bDerived · 7% toward white from the elevated surface
BorderDividers and default edges#4e4e4eDerived · solved to 1.5:1 on the surface — visible, not loud1.52:1
Border strongInputs, checkboxes, anything you can click#7c7c7cDerived · solved to 3:1 — the floor for a control boundary3.03:1

03 · Semantic colours

Primary is the palette’s opening colour — designers lead with their signature. The status roles are the nearest hue this palette carries to each target, which is the honest version of a choice usually made by eye. Hover prefers a darker sibling the designer actually drew; active is always computed. Where a role sits far from its ideal hue, the row says so.

PrimaryRow 1, Col 1 · Bright Lilac — the palette's opening colour
base#cd84f1
hover#b474d4
active#9c64b7

Label on the fill: the page colour at 5.66:1 · Hover is derived.

SuccessRow 3, Col 1 · Wintergreen
base#32ff7e
hover#3ae374
active#26c260

Label on the fill: the page colour at 10.90:1 · Hover is a palette colour.

InfoRow 3, Col 3 · Neon Blue
base#18dcff
hover#17c0eb
active#12a7c2

Label on the fill: the page colour at 8.81:1 · Hover is a palette colour.

WarningRow 1, Col 5 · Unmellow Yellow
base#fffa65
hover#e0dc59
active#c2be4d

Label on the fill: the page colour at 13.24:1 · Hover is derived.

DangerRow 1, Col 3 · Light Red
base#ff4d4d
hover#e04444
active#c23b3b

Label on the fill: the page colour at 4.45:1 — under 4.5:1, so this fill can only carry large text. · Hover is derived.

AccentRow 2, Col 1 · Light Purple
base#c56cf0
hover#ad5fd3
active#9652b6

Label on the fill: the page colour at 4.70:1 · Hover is derived.

04 · Component examples

The moment the palette stops being a picture. Filled, outlined and text buttons across five roles, four field states, and the selection controls — a colour that read as confident in a swatch grid often cannot hold a five-character label, and there is no way to discover that except by putting the label on it.

Buttons

filledPrimarySuccessInfoWarningDangerDisabled
outlinedPrimarySuccessInfoWarningDangerDisabled
textPrimarySuccessInfoWarningDangerDisabled

Input fields

DefaultInput text
FocusInput text
FilledInput text
DisabledInput text

Checkbox, radio and switch

CheckedUncheckedDisabled
SelectedUnselectedDisabledOnOff

05 · Chart colours

Eight hues spread around the circle, each required to clear 3:1 against the page — under WCAG 1.4.11 a chart mark is a meaningful graphic, so a series nobody can see is not a style choice. This set is kept separate from the semantic roles on purpose: a series that happens to be red must not read as a failure.

#ffcccc#ffb8b8#ffaf40#fffa65#32ff7e#7efff5#7d5fff#c56cf0
Direct24%Organic18%Social14%Referral12%Email10%Paid search9%Affiliate8%Other5%

Eight hues spread around the circle, every one of them measured at 3:1 or better against this page — a chart mark is a meaningful graphic, not decoration. None of them carries a status meaning, which is the entire reason this set is separate from the one above.

06 · Alerts and notifications

The four status roles doing the job they exist for, each with an icon and a word alongside the fill. Run these through a greyscale filter — if you can still tell the error from the success, colour was reinforcing the message rather than carrying it.

Success. Your changes have been saved.
Info. This is an informational message.
Warning. Please check your input carefully.
Error. Something went wrong. Try again.

Every one of these carries an icon and a word as well as a fill. Remove the colour and the four are still distinguishable — which is the test, because for a good number of readers the colour was never there.

07 · Elevation

The one part of the system that is not derived from the palette and never should be. Shadows are black at rising alpha on every palette on earth; on a page this dark they barely register, which is why the surface ladder in section 02 is what actually carries depth.

Level 0FlatPage, and anything not raised
Level 1RaisedCards at rest
Level 2HoverA card under the pointer
Level 3OverlayMenus and popovers
Level 4ModalDialogs and drawers

Black at rising alpha, on every palette. A shadow is the absence of light, so tinting it with the brand hue is how a dark theme starts looking bruised. On very dark pages the shadow does almost nothing and the surface ladder above is what carries depth.

Do

Take the hues, rebuild the rampTwenty flat values is a mood board, not a system. Lift the hues you want, generate a perceptually even ramp from each, and put those in the semantic tier — that is what makes the palette themeable, auditable and extensible.
Use it where colour carries no valenceCharts, tags, avatars, calendar categories. These are the jobs a decorative palette is genuinely good at, because nothing here has to mean "this failed" to someone who cannot see it.
Baltic SeaUnmellow Yellow
Reach for Baltic Sea and Unmellow Yellow before the middleThe ends do the structural work. Baltic Sea #3d3d3d is the darkest value here — 10.86:1 on white — and Unmellow Yellow #fffa65 the lightest, at 19.11:1 on black. A palette's usable contrast lives at its extremes, and the extremes are the two swatches people skip.

Don't

Do not map these onto success, warning and dangerA status colour has to clear 4.5:1 against the surface it sits on, in both themes, next to an icon and a word. These were drawn to look good in a grid. The two requirements overlap by accident, never by design.
Do not paste the hex into a componentA literal hex cannot be themed, cannot be audited, and cannot be found later. Every one of these values belongs behind a custom property, exactly like the values in our own token tiers.
Do not call a colour accessible without naming the surface3 of these 20 can set body text on a white page and 17 can on a black one — and none manage both. The two sets are nearly disjoint by arithmetic, not by taste. Pick the surface first and the palette divides itself.

Accessibility

Not a checklist to run at the end. These are the requirements the component was built from.

1.4.1Use of ColorA1.4.3Contrast (Minimum)AA1.4.11Non-text ContrastAA

Contrast

  • 3 of 20 colours clear 4.5:1 against white and can carry body text on a light page. 17 clear it against black. None do both.
  • Those two sets are nearly disjoint for a reason, not by accident: a colour’s contrast with white multiplied by its contrast with black is always exactly 21. Clearing 4.5:1 on one surface leaves at most 4.67:1 on the other.
  • 7 of 20 reach 3:1 on white, which is the bar for large text, icons, borders and chart marks — a much larger set, and the one most of this palette is genuinely for.
  • White and black are the bounds, not our surfaces. Against a real canvas the numbers move, and alpha moves them again — composite first or the ratio is fiction.

Keyboard

TabMoves through the swatches; each one is a button that copies its value.
⌘IInspector Mode reports the live contrast of anything on this page.

Screen readers

  • A colour has no accessible meaning. If a chart series is identified only by its fill, the series does not exist for a screen reader — label it directly or provide the table.
  • Colour names like “Jigglypuff” or “Wet Asphalt” are identifiers, not descriptions. Never use one as the only label for a state.

Focus & touch

  • Swatches take the standard focus ring, offset outwards. An inset ring would have to sit on the colour being demonstrated and would fail contrast on roughly half of these values.
  • Swatches are 88px tall and at least 152px wide, comfortably past the 44px minimum, so the copy affordance is reachable on a phone without a precise tap.
AttributeApplied toNotes
aria-labelEach swatchNames the colour and its value, because the swatch itself announces as nothing — a background colour is invisible to a screen reader.
forced-colors: activeMedia queryWindows High Contrast Mode discards this palette wholesale. Anything that was only distinguishable by fill becomes identical.

Code

Example usage

What this palette is for, and what it is not for.

tsx
1// A borrowed palette is categorical data, not a set of semantics.2// Bind it to series, not to states.3const TR_SERIES = [4  'var(--flat-tr-hammam-blue)', // Hammam Blue5  'var(--flat-tr-pretty-please)', // Pretty Please6  'var(--flat-tr-wintergreen)', // Wintergreen7  'var(--flat-tr-electric-blue)', // Electric Blue8  'var(--flat-tr-dorn-yellow)', // Dorn Yellow9  'var(--flat-tr-unmellow-yellow)', // Unmellow Yellow10]1112<Chart series={data} colors={TR_SERIES} />1314// Text on any of them uses the measured pair, never a guess.15// Bright Lilac takes #000000 at 8.17:1.16<span style={{17  background: 'var(--flat-tr-bright-lilac)',18  color: '#000000',19}}>20  Bright Lilac21</span>

CSS

The twenty plus the 37 they were expanded into. 9 of those are literal palette colours; the rest are computed, and each carries the arithmetic that produced it.

css
/* ---- The twenty, verbatim. Namespaced, so a borrowed value can never
        be mistaken for one of ours. ---------------------------------------- */
/* Turkish Palette — Tamer Köseli, Flat UI Colors 2 */
:root {
  --flat-tr-bright-lilac: #cd84f1;
  --flat-tr-pretty-please: #ffcccc;
  --flat-tr-light-red: #ff4d4d;
  --flat-tr-mandarin-sorbet: #ffaf40;
  --flat-tr-unmellow-yellow: #fffa65;
  --flat-tr-light-purple: #c56cf0;
  --flat-tr-young-salmon: #ffb8b8;
  --flat-tr-red-orange: #ff3838;
  --flat-tr-radiant-yellow: #ff9f1a;
  --flat-tr-dorn-yellow: #fff200;
  --flat-tr-wintergreen: #32ff7e;
  --flat-tr-electric-blue: #7efff5;
  --flat-tr-neon-blue: #18dcff;
  --flat-tr-light-slate-blue: #7d5fff;
  --flat-tr-shadowed-steel: #4b4b4b;
  --flat-tr-weird-green: #3ae374;
  --flat-tr-hammam-blue: #67e6dc;
  --flat-tr-spiro-disco-ball: #17c0eb;
  --flat-tr-light-indigo: #7158e2;
  --flat-tr-baltic-sea: #3d3d3d;
}

/* ---- The system derived from them. This is the half a palette does not
        ship, and the half a product cannot be built without. -------------- */
/* Turkish Palette — a dark theme derived from the twenty.
   Tamer Köseli, Flat UI Colors 2. Values marked "taken" are the palette's own;
   everything else is computed from them by the rules on this page. */
:root {
  /* surfaces */
  --tr-page: #292929;                     /* derived */
  --tr-surface: #333333;                  /* derived */
  --tr-elevated: #3d3d3d;                 /* taken */
  --tr-hover: #4b4b4b;                    /* derived */
  --tr-border: #4e4e4e;                   /* derived */
  --tr-border-strong: #7c7c7c;            /* derived */

  /* text */
  --tr-text: #f5f5f5;                     /* 13.3:1 on the page */
  --tr-text-secondary: #c1c1c1;           /* 8.1:1 on the page */
  --tr-text-tertiary: #a0a0a0;            /* 5.6:1 on the page */
  --tr-text-muted: #909090;               /* 4.6:1 on the page */
  --tr-text-disabled: #686868;            /* 2.6:1 on the page */

  /* semantic */
  --tr-primary: #cd84f1;                  /* taken */
  --tr-primary-hover: #b474d4;            /* derived */
  --tr-primary-active: #9c64b7;           /* derived */
  --tr-primary-on: #292929;               /* 5.7:1 on the fill */
  --tr-success: #32ff7e;                  /* taken */
  --tr-success-hover: #3ae374;            /* taken */
  --tr-success-active: #26c260;           /* derived */
  --tr-success-on: #292929;               /* 10.9:1 on the fill */
  --tr-info: #18dcff;                     /* taken */
  --tr-info-hover: #17c0eb;               /* taken */
  --tr-info-active: #12a7c2;              /* derived */
  --tr-info-on: #292929;                  /* 8.8:1 on the fill */
  --tr-warning: #fffa65;                  /* taken */
  --tr-warning-hover: #e0dc59;            /* derived */
  --tr-warning-active: #c2be4d;           /* derived */
  --tr-warning-on: #292929;               /* 13.2:1 on the fill */
  --tr-danger: #ff4d4d;                   /* taken */
  --tr-danger-hover: #e04444;             /* derived */
  --tr-danger-active: #c23b3b;            /* derived */
  --tr-danger-on: #292929;                /* 4.4:1 on the fill */
  --tr-accent: #c56cf0;                   /* taken */
  --tr-accent-hover: #ad5fd3;             /* derived */
  --tr-accent-active: #9652b6;            /* derived */
  --tr-accent-on: #292929;                /* 4.7:1 on the fill */

  /* categorical — never status */
  --tr-chart-1: #ffcccc;                  /* Pretty Please */
  --tr-chart-2: #ffb8b8;                  /* Young Salmon */
  --tr-chart-3: #ffaf40;                  /* Mandarin Sorbet */
  --tr-chart-4: #fffa65;                  /* Unmellow Yellow */
  --tr-chart-5: #32ff7e;                  /* Wintergreen */
  --tr-chart-6: #7efff5;                  /* Electric Blue */
  --tr-chart-7: #7d5fff;                  /* Light Slate Blue */
  --tr-chart-8: #c56cf0;                  /* Light Purple */

  /* elevation — black, never the brand hue */
  --tr-elevation-1: 0 1px 3px rgb(0 0 0 / 0.12);/* raised */
  --tr-elevation-2: 0 4px 6px rgb(0 0 0 / 0.16);/* hover */
  --tr-elevation-3: 0 10px 20px rgb(0 0 0 / 0.20);/* overlay */
  --tr-elevation-4: 0 16px 32px rgb(0 0 0 / 0.24);/* modal */
}

Notes

Professional tips

  • Neon. Highlighter yellows, electric cyans and two near-blacks holding the whole thing down — brilliant on a dark surface, unusable on a white one.
  • Darkest value: Baltic Sea #3d3d3d. Lightest: Unmellow Yellow #fffa65. Between them sits every ramp you could build from this set.
  • Sort the sheet by Hue to find neighbours you can safely put side by side, and by Lightness to find the ones that can carry text. Source order is the designer’s order and tells you about their intent, not about contrast.
  • If you only need one colour from this palette, take it and leave the rest. Adopting twenty because you liked one is how a product ends up with two palettes.

Common mistakes

  • Using the palette at full saturation across a whole screen. These were drawn as accents against neutral ground; twenty of them at once is a swatch page, not an interface.
  • Assuming the names mean something. They are memorable, not systematic — “Light Red” is darker than “Pastel Red” in the palette next door.
  • Copying the hexes into a design file and the CSS separately. They will drift, and the design file will win the argument for about six months.

Real-world recommendations

  • Credit stays attached: this set was drawn by Tamer Köseli (@tamerkoseli on Dribbble) and published in Flat UI Colors 2 by Ahmet Sülek.
  • Palettes like this one age visibly. A 2013 flat palette reads as 2013 — which is useful when that is the intent and a liability when it is not.
  • The fastest legitimate use is prototyping: grab a palette, get the categorical colours out of the way, and spend the argument you saved on hierarchy instead.

Contrast reference

The measurement behind every derivation above. White and black bound what a colour can do, and reading a row in both directions gives you both answers at once — 4.86:1 on white is equally “this as text on a white page” and “white as a label on this fill”. The last column is what people mean when they ask whether a colour is accessible, and it is almost never both.

ColourOn whiteOn blackInk on
Baltic Sea#3d3d3dAa10.86AAAAa1.93FailLight only
Shadowed Steel#4b4b4bAa8.72AAAAa2.41FailLight only
Light Indigo#7158e2Aa5.00AAAa4.20AA LargeLight only
Light Slate Blue#7d5fffAa4.24AA LargeAa4.95AADark only
Red Orange#ff3838Aa3.57AA LargeAa5.87AADark only
Light Red#ff4d4dAa3.27AA LargeAa6.42AADark only
Light Purple#c56cf0Aa3.10AA LargeAa6.78AADark only
Bright Lilac#cd84f1Aa2.57FailAa8.17AAADark only
Spiro Disco Ball#17c0ebAa2.15FailAa9.78AAADark only
Radiant Yellow#ff9f1aAa2.05FailAa10.23AAADark only
Mandarin Sorbet#ffaf40Aa1.83FailAa11.46AAADark only
Weird Green#3ae374Aa1.69FailAa12.42AAADark only
Neon Blue#18dcffAa1.65FailAa12.72AAADark only
Young Salmon#ffb8b8Aa1.64FailAa12.80AAADark only
Hammam Blue#67e6dcAa1.51FailAa13.93AAADark only
Pretty Please#ffccccAa1.42FailAa14.76AAADark only
Wintergreen#32ff7eAa1.33FailAa15.74AAADark only
Electric Blue#7efff5Aa1.20FailAa17.51AAADark only
Dorn Yellow#fff200Aa1.17FailAa17.95AAADark only
Unmellow Yellow#fffa65Aa1.10FailAa19.11AAADark only